Delving into the female side of Ireland's history & More News Here

Évoking Ireland’s Resilient female Ícons = ÉIRÍ

Irish mythology is “one of the brightest gems of European cultural inheritance – unique and dynamic, a mythology which ought to be as well-known and as valued as those of ancient Greece and Rome.”

So why is it not? And why are Ireland’s passports full of neoclassical iconography? And might we do higher?

This is the theme of ÉIRÍ – an artwork competitors and analysis challenge anybody can take part in – with €10,000 up for grabs.

The phrase Éirí means “arising”, “ascending”, “soaring”, “reviving”, “waking”, “becoming”. and we draw on this for the identify of the challenge; our acronym ÉIRÍ stands for “Évoking Ireland’s Resilient female Ícons”. Artists, younger and outdated, are invited to create artwork in any type, literary or visible, that helps revive consciousness of any female determine from Ireland’s mythology or folklore. People are additionally invited to ship their very own ideas or analysis on how such girls encourage.

The challenge stems from a report in the Irish Post just a few years in the past. Athlone man Ralph Kenna had led a joint examine by British and Irish universities which mapped out the society depicted in the epic poems of Ossian. In the 1760s, James Macpherson claimed to have translated these from Scottish Gaelic. But he distanced them from Irish sources, claiming they had been like the Greek Classics. Controversy arose as Irish students instantly noticed them as misappropriating Irish mythology. Kenna’s workforce used arithmetic to point out there’s, certainly, a exceptional similarity between Ossian and Irish mythology – and little similarity to the classics.

So why did MacPherson need to distance his work from Irish mythology and place it with the classics?

In the colonial period, conquest was `justified’ if it changed a devalued, inferior, and expendable tradition. Alignment of Ossian with the classics was a large case of inferiority complicated.

In the 1780s, with Ossianic poems in vogue, the Custom home was in-built Dublin. It was commissioned by Ireland’s first tax collector whose world was one of “privileged nobility.” Beneath was an “impoverished underclass struggling for basic civil rights” and any protest “kept down by a policy of unyielding repression.” Fourteen “river-god heads” had been perched on the Custom House – representing the wealth of Ireland’s rivers and export to the British Empire. All however one are male!

The statue purporting to signify the Boyne has the inscription “1690” (the date of the Battle of the Boyne) blazoned throughout its forehead. The Foyle celebrates the 12 months 1689 (Siege of Derry). In case there’s any doubt, the Crown of England is perched superior to the Harp of Ireland on the Custom House.

But in Irish mythology, the Boyne is related to Boann – a lady. The Shannon likewise is female – named after Sinann, who led to the river’s creation. Sinann was lately overwritten by Athlone’s Council who, in erecting a statue marking the city’s Shannon heritage, drew from Custom House, regardless of it having nothing to do with Athlone and regardless of none of the city’s secular iconography being female.

After having been made conscious of the mathematical analysis by means of the pages of the Irish Post, 700 individuals signed a petition in favour of Sinann. An arts competitors ensured Sinann would by no means once more be forgotten in Athlone, the place her story is now well-known and valued.

Like Athlone’s undesirable statue, the “river-god heads” in Irelands passports come from the Custom House. ÉIRÍ has an identical intention to the “Art for Sinann” challenge that we ran final 12 months. But it’s on a larger scale – €10,000 is up for grabs to boost consciousness of girls in Irish mythology. And this time, we welcome individuals’s views about the worth of girls in Irish mythology and folklore as amongst “the brightest gems of European cultural inheritance.”

Kenna defined: “This is an opportunity for people to help reawaken awareness of Ireland’s forgotten female mythical figures. So let your creativity flow to represent women in the stories our ancestors bequeathed us. Help them arise, ascend and soar to inspire a future where women are better recognised and represented in our local and national iconography.”

There are seven prizes of €1,000 every on provide for the grownup class of the competitors and there’ll as much as €3,000 for faculties.

 

Entries should be obtained by Samhain, October 31, 2022 – when the fruit of your legendary creative endeavors will likely be harvested.

Once all entries have been obtained a broad panel of judges will likely be on board to pick the competitors winners.

 

The competitors is now open – good luck!

How to enter:

Competition entries can take the type of pictures, textual content or recordings despatched to [email protected] and [email protected]

These ought to be accompanied by an outline of how the artwork pertains to Irish mythology or folklore.

Further particulars about the challenge may be discovered on the Story Archaeology web site: https://storyarchaeology.com/an-arts-competition-and-participatory-research-project-on-myth-and-gender

The paintings may be in an any creative medium and all entries should be submitted by October 31, 2022.

Submissions could characteristic in a web-based gallery on www.irishpost.com

 

TERMS AND CONDITIONS:

Entries can take the type of textual content or pictures of artwork despatched through e-mail.

Entries should be authentic; they can not have been beforehand revealed/entered in competitors

Please submit your identify and call particulars in the e-mail message, separate to the picture of paintings or submitted literary piece. The entrant’s identification should not seem on the competitors entry.

Entries could also be in Irish or in English /Is féidir iontrálacha a bheith i mBéarla nó i nGaeilge.

A quantity of entries could also be submitted per entrant.

The judges’ verdict is last.

Winners solely will likely be notified.

No various prizes can be found – prizes can’t be exchanged.

The Irish Post, Coventry University FCS, Rathcroghan Visitor Centre, The Story Archaeologists and are usually not chargeable for any prices incurred by competitors entrants

Awards/winners will not be offered/chosen the place an acceptable normal of entry isn’t achieved.

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