Artist Tim Edwards has gained the prestigious Tom Malone prize for Australian glass art with a piece that plays tricks with the viewer’s eye.
The profitable work, titled Ellipse #8, is a luminous blue type 47cm tall and from some angles it’s troublesome to inform whether or not the glass is two- or three-dimensional. The piece is 3D however not very thick with a depth of simply 8mm.
“I’m interested in perception, deception, and that area between 2D and 3D. Someone coined the term two-and-a-half dimensional, which I like,” the artist mentioned.
It took about two hours to blow the piece with the assist of assistants at the furnaces in Adelaide’s JamFactory. Edwards then spent one other 35 hours in his residence studio grinding excellent ovals out of the glass utilizing high-end German stone and diamond instruments.
The glass doesn’t break throughout this course of, he mentioned, as a result of it’s cooled with water and glass is more durable than one may anticipate.
“It’s brittle, but it’s actually very, very strong … it’s solid enough that you’re not going to break it,” he mentioned.
Based in South Australia, Edwards started as a ceramicist earlier than switching to glass and a profession that has taken him throughout the world, together with a fee at the Corning Museum of Glass in the US.
He worries that funding cuts have left college glass art coaching in a miserable state, however mentioned the JamFactory studio was “going gangbusters” and the expertise developed there have been important for Australian glass art.
Professional-level glass in Australia is robust, in response to Edwards, with gross sales increasing effectively past craft-based galleries.
He believes curiosity in glass blowing from distinguished up to date artists corresponding to Patricia Piccinini and Tony Albert will result in extra consideration for the medium.
“We’re in a good place and I think we’re going to hit a really good direction in the next five to 10 years,” he mentioned.
For the twentieth anniversary of the $15,000 acquisitive prize, the 15 finalist items are on show alongside profitable works from the earlier 19 years.
These embrace art from the likes of Tom Moore, Jessica Loughlin, Nick Mount and Gabriella Bisetto.
The items are on present at the Art Gallery of Western Australia in Perth from Friday till the finish of July.
‘Perception and deception’: Australian glass art prize winner plays tricks on the eye | Sculpture & More Latest News Update
‘Perception and deception’: Australian glass art prize winner plays tricks on the eye | Sculpture & More Live News
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